Rising 485 feet out of the deep linear valleys of the Monongahela National Forest in West Virginia, the Robert C. Byrd Green Bank Telescope (GBT) facilitates over 6,500 hours of astronomical observations per year - contributing to our understanding of the cosmos on a mind boggling scale. The GBT's raw statistics detailing the structure's dimensions and ability to receive radio waves with unprecedented accuracy is also tricky to comprehend. For example - the 2.3 acres of the telescope's collecting area is perfectly smooth because 2000+ 'queen bed sized' panels adjust the surface to an accuracy of just 260 micros (5 human hairs). Pretty amazing for a structure weighing over 17 millions pounds!
I became fascinated in the Green Bank Observatory when I visited the facility to make a joint BBC Radio 4 and photographic series called *Welcome to the Quiet Zone* to investigate the community that live and work in the now infamous National Radio Quiet Zone, created in 1958 to protect the Green Bank Observatory's naturally low electromagnetic environment.
Ever since my encounter with the GBT's metallic colossus, I've kept up to date with its activities and a recently published report about 'FRB 121102' caught my eye and prompted me to share a few more close up images of the telescope's more hidden mechanisms.
It is worth noting that I explored and photographed the structure on 3 occasions during the GBT's weekly servicing schedule. Access is extremely limited and very rarely granted outside of a small, dedicated team of service engineers and a small posse of scientists who apply to view their research structure up close and personal.
The GBT's 24/7 movements regularly make headlines for astronomical discoveries in the dedicated science community but seldom breaks out into the general media (who clearly struggle with the concept of whether science is sexy). However one particular set of observations has the story 'hook' that popular reporting requires and that hook is potential evidence of intelligent alien existence.
Breakthrough Listen is an initiative founded 2 years ago by cosmologist Stephen Hawking & internet investor Yuri Milner to find signs of intelligent life in the universe. One of the areas the initiative concentrates on is evidence of 'Fast Radio Bursts' from objects in deep space. FRBs are some of the universe’s strangest phenomena - creating brief, bright pulses of radio emission from distant galaxies and are attributed to everything from black holes to extraterrestrial intelligence. However FRBs have never emitted from their source origin more than once, until now. Utilising newly installed specialist receiving equipment on the GBT, a team of scientists have discovered a previously detected FRB repeating itself with 15 radio emission bursts from the same location.
*FRB 121102: Detection at 4 - 8 GHz band with Breakthrough Listen backend at Green Bank* is the official announcement on the Astronomer's Telegram on August 29th 2017. News outlets jumped on this journal headline with extra terrestrial reports filed in The Guardian, National Geographic, FOX News. The Times of India even profiled Dr. Vishal Gajjar, the UC Berkeley Postdoctoral Researcher (born in Gujarat, western India) who made the discovery after analysing over 400TB of data gathered over a 5 hour period in late August.
Located in a dwarf galaxy 3 billion light years away, FRB 121102 was first detected with the Parkes Telescope in Australia on Nov 2nd 2012 (hence the name) and although many other FRBs have been observed by several radio telescopes around the world, none have repeated their emissions. The GBT's unique ability to detect such a broad and high frequency range means that the resolution accuracy allows for far more detailed research into FRBs' origins and with FRB 112102 repeating its emissions, some in society secretly hope that extra terrestrial life is indeed trying to communicate with us!
Who says science isn't sexy?
When I was making Welcome to the Quiet Zone, the contentious issue of funding the Green Bank Observatory loomed large on the local community's mind, as federal financial support was rumoured to be withdrawn. In short, the observatory's future was at stake - along with many support jobs the community provides.
Although government funding has since been largely cut and associated NRAO administration dropped in late 2016, the observatory is now able to attract private funding and research opportunities, so the recent headline grabbing success of the Breakthrough Listen experiments, their new business model will hopefully secure long time security for the GBT and the observatory's other telescopes. I wish the Green Bank Observatroy a bright future!
You can keep up to date with the Robert C. Byrd Green Bank Telescope's activities and observation schedules on Twitter @grnbnktelescope
This summer I reunited with the ISM (Incorporated Society of Musicians) to make a fresh series of portraits to enhance their highly successful and award winning #MyISMis membership recruitment campaign - a campaign that I shot during 2015 / 2016 following a branding brief from the talented Cog Design agency in London.
Travelling by car, train and plane, I photographed and video interviewed another five ISM members drawn from a myriad of genres - embracing classical, jazz, rock fusion, world and folk. Pippa Reid-Foster, Kit Downes, Bushra El Turk, James Mainwaring and Georgia Hannant shared their professional experience, superb musicianship and offered time to support ISM's vision.
To coincide with the new portrait series, Cog Design also updated the visual asthetic of the branding message - destined for magazine advertising, pop up banners, web usage, exhibition backdrops, leaflets and social media engagement. Below are a few examples of the fresh typography and layout.
For someone who loves music but has never played an instrument, I'm in awe working with musicians and composers of such high calibre. I know that photo sessions are certainly not their first creative priority and are often rather shy in front of the camera (especially outside of the big pop industry spotlight) so I am very grateful when their natural creative genes kick-in, adapt to my lighting and composition, and respond well to my direction :-)
If you would like to read more about the original series I shot, including adapting an old church in Peckham into a mini recording studio and choosing a £12,000 microphone (as a prop) in Mark Knopfler's recording studio, then check out *Transient Asylum Studio* & *The £12,000 Microphone* in my Journal blog. You can also view a full sized gallery of the ISM portraits here.
Finally, thank you to Jean Wong over at Greenhouse Archives for the video editing.
I'm chuffed to have shot the front cover of September 2017's edition of Jazzwise, the UK's leading jazz magazine.
Featuring the talented Arun Ghosh, he and I spent a brilliant afternoon a few weeks ago in South London capturing a series of portraits to celebrate the release of his new and ambitious album, that's dropping this autumn. Inside the magazine, you'll also see a couple more shots from our session, including a double page spread detailing a glimpse into Arun's creative space - come studio, come musical shrine, come life story archive.
Really looking forward to hearing the new music - *Transnational Overgorund* indeed!
I recently escaped to the Lake District National Park in Cumbria for a 4 day break. Just me, my trusty tent, associated cooking & hiking gear and, of course, a camera.
Since I was a teenager I've regularly enjoyed running away into the mountains, be it within the UK or further afield in the Alps, Rockies or some of the more remote outposts across Europe. Whether arid, temperate or snow filled, I love the beguiling weather that accompanies the exquisite light and solitude that flows over mountain topography. The Lake District offers these qualities in abundance but they are coupled with a serious 'gotcha'.
Although the aforementioned mountain regions offer starkly different flora & fauna, physical geology and developmental history, they do share one prevalent visual trope (the gotcha) that is often not spoken about in landscape photography; evidence of human activity. An abundant and deeply rooted human activity that is millennia-refined, found on each of the world's continents and largely grouped into 3 main categories: 1) relentless extraction of stone, minerals and ore 2) an ever growing demand for power, mostly generated via hydroelectric & wind infrastructure and 3) highly intensive systems employed by industrialised agriculture - designed primarily for grazing sheep and cows to facilitate meat, milk and clothing production.
This particular trip to the Lakes was my first since the English Lake District was awarded World Heritage status by UNESCO in July 2017.
Much praise was posted online and across traditional media oulets and it was certainly a huge commercial gain for the 25 organisations of the Lake District National Park Partnership that structured a bid championing the area's cultural heritage, a heritage mostly created during the Romanticism movement 170+ years ago and flourishes well in the 21st century. An earlier application by the LDNPP for *natural* world heritage status was dismissed by UNESCO on the grounds of excessive human activities, so it was decided to restructure the bid and repackage those perennial Lake District best sellers; Wordsworth, Potter, Wainwright et al., in order to succeed.
As much as I adore the Lake District, I was personally troubled by the award as it reinforces a distorted, misconceived vision of natural beauty which ignores (and excuses) man made environmental damages. Luckily, writer George Monbiot provided a clear and authoritative voice against the UNESCO award, carefully detailed in his article The Lie of the Land (which was also published in The Guardian). I tweeted support for his article here.
One always takes a chance dodging wet weather in Lake District (the hamlet of Seathwaite is England's wettest inhabited place) and even during the 'drier' month of July, the risk of a good soaking remains resolutely high. So yep, you guessed it, the skies opened and rain poured down persistently, making my hikes across the higher fells rather tiresome. To have a fairer chance of making new photographs, I decided to drop down into the lower valleys for the last day, to see if a break in the weather would provide me with some UNESCO man made landscape vistas to photograph. Inspired by George Monbiot's article, I used the welcome rain-free time to piece together a scrapbook of images to build the foundation for a future personal project.
Staying within the south western corner of the Lakes, I drove around looking for signatures of man's imprint on the landscape. Within the "Beatrix Potter-themed sheep museum" (Monbiot's description of the Lake District's fresh UNESCO status) landscapes formed by extraction, agriculture and land management could be viewed from just about every bend in the road and turn on the forest trail. In fact, it is nearly impossible to find just 1 of the Lake District National Park's 583,747 acre area that hasn't been shaped by human needs!
I've featured 3 photographs from that scrapbook - detailing extraction, agriculture and land management. Although I feel they offer subjective beauty and intrigue, they are far from natural - with all having mankind's influence running throughout their content.
Really pleased that RA Magazine (Royal Academy of Arts) have chosen my portrait of the artist Sonia Boyce to accompany their 'As I See It' series of interviews with leading visual artists.
Interviewed by Anna Coatman, Sonia offers her thoughts and details a few experiences that shape her work. I particularly warm to Sonia's closing statement "Human beings are inventive. If we can go to Mars, we can send more kids to art school."
I have included a couple of other photographs from our brief time together, captured on location in one of her student break out rooms in the Chelsea School of Art to celebrate her receiving a PHF Award for Artists award.
Thank you Robert Heath at RA Magazine for reaching out. Enjoy.
You can also view some of Sonia's work at the Royal Academy of Arts Summer Exhibition 2017.
Acclaimed visual artist Emma Hart unveils her a new installation Mamma Mia! today at the Whitechapel Gallery in London. The commissioned work forms the sixth edition of the Max Mara Art Prize for Women, which awarded Emma a 6 month Italian residency split across Milan, Todi and Faenza.
I had the pleasure of photographing Emma as a recipient of the esteemed Awards for Artists given by the Paul Hamlyn Foundation. Whilst setting up lights and composing a suitable frame, Emma and I proceeded rapidly into a rather insightful philosophical conversation about the advent of 'digital', serving as a seismic disruptor of society's cognitive apparatus a generation ago. Our mutual Generation X age(s) allowed us the privilege of exchanging memories of a life experienced before our collective move online.
Emma's body of work disrupts the seamlessness of our image (digital) led culture and with inspiration born from autobiographical experiences, coupled with observing Milan Systems Approach - a therapy focusing on spaces rather than individuals, I'm looking forward to viewing how Emma has distilled real world anxieties and emotions into her refined ceramics.
Mamma Mia! is open from 12 July – 3 September 2017 and is entry is free.
You can read more about another Awards for Artists recipient - the artist Rachel Reupke - in another Journal entry titled The Twin Presence of Rachel Reupke
Although my best memories of Doctor Who are grounded in an era when Tom Baker rightfully commanded the UK's weekend teatime family viewing (broadcast in 4:3 aspect ratio of course) - it has been incredible to witness the reincarnation of Time Lord's adventures for a new generation, largely kick started by David Tennant back in the mid noughties.
Now a truly worldwide phenomenon with countless fanzines, online debate and endless merchandise options to quench the thirst for DW fans, Doctor Who has embraced the social media age as successfully as Gallifrey's best known export regenerates (the series 10 finale of Doctor Who screens on BBC One at 18:30 today).
One of the most rewarding highlights of my work as a photographer is the amazing diversity of people that I meet, share experience and collaborate with. So it was with much joy that I stumbled upon a treasure throve of Doctor Who fandom - Paul's bedroom.
I met Paul whilst on assignment with Dimensions - who are one of the country’s largest not-for-profits supporting people with learning disabilities, autism, challenging behaviour, complex needs. My brief was to create multiple 'day-in-the-life' case studies to faithfully represent the complexities of their support work around England.
In one particular location (a residential home for 7 persons requiring nursing and personal care to accommodate for their various learning disabilities) I met Paul during breakfast and soon started a lovely rapport over a cup of strong tea. I then proceeded to document Paul and 5 of his fellow house friends for the rest of the day - photographing their engagement with a wide range of activities from church prayer & tenpin bowling to pet therapy.
Towards the end of the day, during a staff shift change over, a manager asked whether I had seen Paul's bedroom? I hadn't and was immediately intrigued by the sparkle in her eye. Within moments, Paul proudly welcomed me into his bedroom - a richly detailed shrine to 12 Time Lords and their numerous assistants. In fact the sole object in his room and bathroom that wasn't Doctor Who themed was a fantastic red leather armchair. I learnt that Paul has viewed every episode made and, for most, can recite the script verbatim. Don't be deceived by the size of the Dalek in the portrait too - it is actually a full sized 3D replica model that levitates near his bed. Paul loves Doctor Who.
I asked whether he would allow me to capture his passion more formally and he agreed with enthusiasm. After directing him into his luxurious chair, he relaxed and proceeded to watch an episode of Doctor Who. Thank you Paul.
I know exactly what Paul will be watching at 18:30 this afternoon - a series finale where Peter Capaldi will end his tenure in charge of the TARDIS.
Earlier this year I had the pleasure of working with the esteemed Nuffield Trust, creating new staff portraits and photographing their annual Health Policy Summit.
The Nuffield Trust is an independent health charity founded in 1940. Set up to coordinate the activities of all hospitals operating outside London, the Nuffield Trust helped inspire the creation of the National Health Service, with one of its early surveys being utilised as a key reference document in the establishment of the NHS. The founding principles of providing evidence-based research and policy analysis remain core to the trust's values.
[In light of the seemingly constant electoral instability gripping the UK, I've chosen to offer a few personal views and thoughts to accompany examples of photography in this post]
The last few years have seen a well co-ordinated rise in paleoconservative populism on both sides of the Atlantic, with reasoned voices being increasingly drowned out by a largely unfounded soundbite designed solely to propagate click bait, reinforce echo chambers and foster a silo mentality void of meaningful fact checking. This new politick spilled over into mainstream consciousness with the advent of the EU referendum and, unsurprisingly, NHS funding became one of the key campaign battlegrounds for parties and ideologues of all political flavours.
I was becoming increasingly disheartened with this new political landscape and trying to navigate daily news cycles and associated social media was leaving little room for optimism, so the timing of working with the Nuffield Trust was very welcome indeed, as it was refreshing to engage in conversation with a group of experts striving to improve the quality of health care in the UK. I'm interested in an expert's view point as experts hone their skills, understand variables, encourage nuanced conversation and help society in far reaching ways - often posing a qualified threat to the aforementioned populist agenda.
After creating a fresh set of staff portraits (a small selection featured in this post) in the trust's Marylebone HQ, I headed into deep dark Surrey to photograph their annual Health Policy Summit in Wotton House. Staged over 2 days, the summit hosted 28 guest speakers and over 160 leaders of organisations and companies representing the majority of the health and social care system in the UK, with additional input from interests in the USA and mainland Europe.
Wow. Beginning with a powerful opening keynote from Professor Sir Harry Burns (Professor of Global Public Health, University of Strathclyde) titled 'Building a better public health landscape' and a hugely insightful discussion 'Should we spend more on health and social care?' led by John Appleby, Director of Research & Chief Economist, Nuffield Trust, the summit continued eagerly with well informed facts, opinion and debate.
The summit was well represented from all sides of the UK's political spectrum, yet was refreshingly free of rhetoric and bluster often witnessed on news comment and debate programmes on television and radio. Furthermore - despite detailing the serious concerns and complexities of funding (public vs private vs blended funding) health care in an ageing population, I discovered an underlying and resolutely positive drive amongst the delegates to construct truly viable fiscal and practical long term solutions for healthcare in the UK - solutions that will benefit all of our society's needs.
I left my time with the Nuffield Trust with a more optimistic mid-term political view and a trust that there are indeed many people in positions of influence working behind the scenes, not only imparting their expert knowledge but also marrying that knowledge with sound emotional intelligence too.
The recent snap election called on more experts than ever to try and decipher politicians' claims and it was super to see the Nuffield Trust's clear and balanced social media narrative ramped up to offer much needed clarity. Follow @NuffieldTrust and see what the team is saying about Brexit and the NHS nuffieldtrust.org.uk/spotlight/brexit-and-the-nhs
I also encourage you to watch / listen to Sir Harry Burns's brilliant keynote speech - trust me, the 43 engrossing minutes will fly by. Scroll down to the end of this post for the video.
The Nuffield Trust are in year 2 of a 5 year strategy. Please click the screengrab below for further reading. From their website:
'There are limits to what policy-makers can do, as many of the solutions required to deliver the more extensive changes in service delivery need clinicians and managers to lead the way. Our strategy recognises this – we are more grounded in the practical implications of policy-making, working closely with clinicians and managers to help improve policy and practice. We focus our activities on five main areas in which we can most add value.'
A little while ago I had the pleasure of photographing my good friend Zoe Robinson, who founded the trailblazing The Good Wardrobe - an award winning online community hub mixing the best ‘conscious’ fashion with services that prolong the life of clothes. The antithesis of fast fashion.
Finding its feet in 2012, the portal's values proved successful and now, after her family relocated from London to Bristol last year, The Good Wardrobe is now embarking on a new, ambitious development to cover the whole of Bristol City.
To aide this change, Zoe has set up a Crowdfunder page and here are a few of her words:
"So far I have self-funded The Good Wardrobe and I've only been able to focus on featuring London and online businesses. Last year I moved to Bristol with my family and I want to expand to cover this incredible city - there are so many amazing organisations here including independent designers, Repair Cafes, charity shops, vintage boutiques, haberdashers and upcycling gurus. I want to bring the best of Bristol's ethical fashion scene under one virtual roof; I want to map them all out, promote them and create your wise guide to Bristol fashion!"
So if you are interested in helping Zoe and The Good Wardrobe spread their wings in Bristol, please head over to the Crowdfunder page or check out the video below. Please note that pledges end at 8:40am 29th June 2017.
I wish Zoe the very best of luck!
To celebrate World Environment Day, I thought I'd share a photograph I made whilst surrounded by summer melt raging through the Middalen Glacier in Norway. Shot in August 2016, the glacier is one of the frozen fingers of the larger Hardangerjøkulen ice sheet that begins in the furtherest background of this photograph. Rising over 1,800m - the Hardangerjøkulen is Norway's 6th largest glacier and is located south west of Finse.
And yes, that seemingly graceful hole in the icy moraine was far from relaxing to observe. The sheer amount of water and particulates gushing out kept one's senses very alive & alert. Moving around on glaciers is not to be taken lightly, as the ground beneath is constantly shifting and swallowing up rock, earth, debris, water and ice, with huge amounts of energy being released. Visually and aurally (read: very loud) rewarding though!
If you would like to read about another related Journal entry, please read *Natural Unnatural Symmetry*.
Bathing in late afternoon April light, Larachmhor Gardens emits a glow and vibe more likely absorbed whilst kicking back with a cold beer in the foothills of a island in the Lesser Antilles.
Located on the coastline of the Sound of Arisaig in the Lochaber district of Scotland's highlands, the gardens offer an extremely diverse selection of exotic plants, which have been planted for over a 28 acres for nearly 90 years. The result is a densely rich antithesis to Kew Gardens, loaded with genuine curiosity and marvel.
Update on April 28th I've just received precise information about the palm featured from the amazingly authoritative *gate keeper* of Larachmhor Gardens, Ian Sinclair. In his words...
..."Trachycarpus fortunei, the Chinese windmill palm, windmill palm or Chusan palm, is a palm native to central China, southern Japan, south to northern Burma and northern India, growing at altitudes of 100–2,400m...
Really chuffed to see that my work with Matthew McDonald has made the front cover of the April 2017 edition of The Strad magazine. As 1st Principle Bass for the Berliner Philharmoniker, Matthew has made Berlin his home (born & raised in Australia) and the nerve centre of his creative force, so The Strad's profile of him and the great orchestra is both timely and welcome. You can check out The Strad here. Enjoy.
If you would like to check out some of Matthew's sublime musicianship, then check his recording of César Franck's Sonata in A major first movement, allegretto ben moderato - recorded in the Kammermusiksaal of the Berliner Philharmonie on December 19, 2016.
My portrait series of Matthew was shot on glorious medium format Kodak Portra film - which equals perfect warmth
2017 has kicked off rather well - working on some interesting projects, noteworthy assignments and photographing the ambitious annual Ice Music Festival in Geilo, Norway.
Staged between 9th to 12th February, the festival celebrated its 12th year and my 9th year documenting the myriad 'making of process' and magical musical performances. I have described to various journalists that the whole enterprise straddles a fine line between pure art & lunacy :-)
Along with photographing the sub-zero adventures in music, I also create and author the website, manage the international media and co-produce the festival. During the festival I produced many posts for @icemusicgeilo and did a takeover of @visitnorway, so if you'd like to dip in and learn a little more about all things ice + music + deep cold, then check out the Instagram posts detailed in the grid in this post.
Nope, ice is not simply white or transparent but reflects a multitude of colours - for evidence, just observe the hues of green, blue and 'white' in the frozen shot below. The jagged ice is a result of a crew of degree students from the University of Bergen's Faculty of Art & Design, who we invited to collaborate by constructing an amazing ice village, comprising of 2 huge ice domes (each large enough to seat 40+ plus people) that hosted the opening night's Acoustic Ice concerts. Inflating enormous balloons, then spraying water over them in perfect ' freezing' air temperatures of -17ºc t0 -20ºc resulted in incredibly detailed ice formations at the base of each structure...
Iain is a busy man, who's curating a lovely roster of online & print media platforms that celebrate contemporary photography, delving into themes detailing land & city scape, a sense of 'place' and the environment. Iain is also a co-founder of Documenting Britain collective, an influential body of artists artists creating a critical record of the British Isles.
The Another Place ecosystem branches into print too, with Another Places Press, which hosts a rapidly growing selection of photographic publications including Cody Cobb's Cascadia, Al Brydon's Based on a False Story and Iain's own Out of the Ordinary.
After battling through the early onslaught of the digital wild west to shape up through web 2.0, I feel that noteworthy photography is good shape and it is super to see such positive and peer led engagement. Thank you Iain.
I am really chuffed to showcase some work I created during summer 2016, called 'Voices for Culture'.
Commissioned by the Royal Opera House Bridge, I was asked to make formal environmental portraits detailing the people working at the heart of the ROH Bridge's 15 partner organisations located in the south east of England. The portraits act as the core narrative heart of the ROH Bridge's Annual Report for 2015 / 2016.
You learn more about the Royal Opera House Bridge's remit, the pictures in the full glory in my new gallery called 'Voices for Culture'. Enjoy.
And an huge thank you to Kelly Lean (ROH Bridge Research & Development Manager) for all your logistical / 'corralling skills' and creative support in making this portrait series.
During late August 2016, I made a trip to Finse in Norway to contribute fresh photographs to the extraordinary Project Pressure, a charity documenting the effect of climate change on the world’s vanishing glaciers.
Finse is small settlement on the shore of Finsevatnet, that is only accessible by train via the Bergensbanen connecting Bergen and Oslo. The railway climbs through some of the Europe's most spectacular scenery to Finse, sitting at an elevation of 1,222 metres above sea level, making it the highest station on the entire Norwegian railway system.
Due to the mountainous terrain and heavy winter snowfall, (it is worth noting that the winter is so harsh and reliable that Hollywood used Finse as the filming location for ice planet Hoth in The Empire Strikes Back) the railway has many wooden and metal roofed tunnels that look like very long train sheds. The last 'shed tunnel' heading south east out of the village merges into a perfect configuration of triangulated symmetry, where nature's landscape meets man's construction.
The pictures I shot of the glaciers located south west of Finse for Project Pressure will be shown a little later in 2017...
For 10 days during November 2016 I documented the creative forces performing in the annual EFG London Jazz Festival. I've been the official photographer since 2008 and am immensely proud to have shot my 9th year, as the sheer diversity of musical talent deployed in the vast array of London's live venues is quite breathtaking.
I have a gallery jammed full of photographic highlights from the festival and I've just added a few of favourites from 2016's events. So please take a look over here and look out for new additions showing Nérija, Robert Glasper Experiment, Jason Moran, Francesco Tristano, Elsa Soares, Kansas Smitty's House Band and Swarthy Korwar.
If you are music fan, there's an artist for everyone in the gallery too: Christian Scott, Oren Marshall, Sheila Jordan, Noah Jackson, Melody Gardot, Esperanza Spalding, Roman Valle, Paolo Angeli, Jay Phelps, Nik Bärtsch, Seaming To, Matthew Bourne, Lucinda Belle, Imelda May, Gregory Porter, Juliette Gréco, Peter Ind, Creole Choir of Cuba, Miles Mosley, Chassol, Keith Tippet, De Jongens Driest, Shingai Shoniwa, Neil Cowley Trio, Splice, Snarky Puppy, Ayanna Witter-Johnson, Yvette Riby-Williams...a true kaleidoscope of jazz!
And don't forget my formal portraits of 3 true titans of jazz - my personal triology featuring Ornette Coleman, Wayne Shorter and Sonny Rollins, all found in my Portraits gallery. Enjoy.
The vignette above is of Swarthy Korwar bathing in live, hand-painted projection light, whilst soaking up XOYO's vibe. The extraordinary projections accompanying Swarthy's sublime instrumentals were created by illustrator Somang Lee, whose skill you can witness below. A mesmerising combination to document.
In the fall of 2016 I had the pleasure of photographing the concert composer Daniel Kidane, whose works range from solo pieces to large orchestral pieces.
Raised on a South London estate to Russian & Eritrean parents, Daniel's heritage has provided a rich and textured backdrop for his musical creativity. Playing the violin aged 8, Daniel then entered the Royal of College of Music Junior Department and then later studied privately in St. Petersburg, receiving lessons in composition from Professor Sergey Slonimsky.
Daniel's compositions are performed extensively across the UK and abroad as well as being broadcast on BBC Radio 3. His works have been premiered by several notable companies including the Royal Liverpool Philharmonic Orchestra, London Philharmonic Orchestra and the BBC Philharmonic Orchestra. Learn about Daniel's work here.
Whilst Daniel and I discussed a range of suitable locations for the photoshoot, I was attracted to the juxtaposition of the estate where he grew up (and still lives in) and his fame has a modern classical composer. Daniel embraced the idea, so we spent a glorious afternoon in late afternoon autumn making frames for my camera whilst deep in discussion about music, its many cultural roots and the sheer vibrancy of modern London. The swish 3 piece bespoke suit was made by the London based tailors *Beggars Run*. Here follows a few outtakes from the final series.
My session with Daniel was part of a commission by the Paul Hamlyn Foundation to make portraits of the 8 recipients of the 2016 *Awards for Artists* - one of the world's largest arts prizes, now celebrating its 22nd year. Shooting on locations across England, Scotland and Sweden, I gained a lovely glimpse into the creative spaces the artists and composers reside in.
After visiting and photographing the recipients individually, I made a group portrait on the morning of the Awards reception. From left to right: Cara Tolmie, Lucy Beech & Edward Thomasson, Rachel Reupke, Ailís Ní Ríain, Daniel Kidane, Heather Leigh (sitting), Lucy Skaer and Sonia Boyce.
I've spent the last few days on a very rewarding assignment in Newcastle upon Tyne in North East England.
Whilst arranging background items for one shot, I was surprised by RoboCop suddenly kicking into life and warning to keep the peace - by all means necessary. If you'd like to hear the voice of (near) future law enforcement, pop over to Instagram where I posted this video 🤘
I cannot disclose subject details at this stage, suffice to say the photoshoots involved some superb personalities.
Paul Verhoeven would be proud.